The guitar solo is something that is synonymous with rock music. There have been countless rock guitarists come and go over the years, all with a unique take on what makes a great solo. For as many guitarists as there are playing solos there are far more people listening and forming opinions on them. No one will ever agree on what their favourite guitar solos are, but here are ten of mine in no particular order.
1. For the Love of God by Steve Vai. The seventh song on his breakthrough 1991 album, Passion and Warfare, For the Love of God is often held up to be Steve Vai’s best work. The song is essentially one long guitar solo and covers almost all aspects of Vai’s playing. An inspiration when I first heard it, it was the piece that really showed me the depth of emotion that was possible to convey while playing guitar.
2. Comfortably Numb by Pink Floyd. Often revered as having one of the best guitar solos of all time, the guitar playing in Comfortably Numb is outstanding. Pages and pages have been written about this solo, but for me it showed how effective blues phrasing could be in a rock setting. The big draw for me here was the tone as well, Dave Gilmour uses compression wonderfully well to give a warm and punchy tone that fits the song absolutely perfectly.
3. Beat It, solo by Eddie Van Halen. A great song that really comes to life with Van Halen’s guitar solo mid way through. Eddie Van Halen was the defining guitarist of the 1980s and opened up so many techniques and ideas that would be copied endlessly. He has recorded countless amazing solos across his career but I feel that the one in Beat It is among his best. It’s only short but is a pure explosion of his style showcasing breathtaking technique, style, tone and phrasing. If you ever want to discover why Van Halen is such a great guitarist then just listening to this solo should be enough.
4. Always With Me, Always With You by Joe Satriani (live version). I’m picking the extended live version from the Satriani Live! DVD rather than the studio version for this, mainly for Satriani’s wonderful improvisation section at the end of the track. This song showcases just why Joe Satriani is such a good guitar player. I’ve heard several different live versions of this song, as well as having seen him live a few times in person and he plays just as well every single time. The song is a masterclass in how to solo melodically and tastefully. Satch never makes a mistake either, and everything he plays is done to absolute perfection. You won’t find a better played guitar solo, and I doubt you’ll find a better player either.
5. Nottingham Lace by Buckethead. I only recently started listening to Buckethead, so it’s hard for me to pick out one solo in particular given that he excels in so many different styles. I picked Nottingham Lace out because it is a marvelous display of his technique as well as his melodic playing. Well worth a try and I’m looking forward to discovering the rest of his back catalogue.
6. Wonderful Slippery Thing by Guthrie Govan. Guthrie Govan is nowhere near as famous as he should be. An English guitar player, he is absolutely phenomenal, with a complete mastery of his instrument and a remarkable ability to play across a huge range of styles. I picked this song as it has been his strongest for many years, and the version on his recent album, Erotic Cakes, showcases his fluid style. A great player, hopefully soon he’ll get the recognition he deserves.
7. Goodnight Kiss by John Petrucci. While John Petrucci is most widely known for his lightning fast alternate picking this solo shows that he can pick out some beautiful phrases when playing in a more restrained style. The solo plays smoothly over changes and changes the style of the song superbly to blend into the next track, Solitary Shell. Petrucci is a great guitarist who has managed to blend blues and metal into a unique style, and I feel that this solo is one of his best.
8. Bliss by Paul Gilbert. Again with a player like Paul Gilbert I found it hard to narrow it down to one solo. I knew I wanted something from him in here, but was unsure what exactly. In the end I just picked my favourite song, which also happens to have some fantastic guitar playing in it as well. On Bliss Gilbert shows his Hendrix influence as well as considerable restraint, playing fast just where it is needed for maximum impact. A great player with a fantastic attitude to music.
9. Soma by Billy Corgan. This is pretty much the guitar solo that really started me playing. My biggest early influence was the Smashing Pumpkins, and in particular the album Siamese Dream. The solo in Soma stands out as one of Corgan’s best and is played to perfection as the song reaches its peak.
10. Bold as Love by Jimi Hendrix. A little cliched to include Hendrix perhaps, but his influence on guitar playing is unquestionable. In a similar situation to Paul Gilbert I was unsure of which to pick so in the end just picked my favourite song. Often overlooked for some of his more famous songs I actually feel that Bold as Love displays Hendrix’ songwriting at its strongest, of course it helps that is also has the fantastic guitar work you’d expect from him too.
As the summer rolls in we’re set for another season of music festivals. While festivals are a great place to see bands you wouldn’t have normally seen and to discover new acts I’ve always felt that the only real place to see your favourite bands play are at their own gigs. Nothing quite beats the atmosphere at a small venue created by an audience who are all there to see the headline act.
With this article I thought I’d say what my favourite live acts have been and who I recommend catching live as they pass through your town. Whatever you do, don’t miss out on the following five bands.
First up is Tool. Seeing Tool is quite a unique experience. The band aren’t typical in the way that they take the stage at all, with singer Maynard James Keenan standing near the back of the stage, leaving a large open space at the front. Tool are notoriously publicity shy and prefer for their music to take centre stage. They’ve only made personal appearances in two of their eight music videos to date.
The same is certainly true of their live show. They use impressive lighting displays and a laser show for visuals and it really works. The band also use a large video screen that plays animations themed to the songs. The clips used aren’t tracked to the music at all, but on their most recent tour were taken from over six hours of footage and played differently each night. Tool’s guitarist, Adam Jones, creates all of the art and animations for the band and he does an amazing job.
The visual aspect of seeing Tool is almost as good as the fantastic music they play and I would certainly recommend seeing them as you won’t see another band like it.
Next vote for me is The Smashing Pumpkins. I would mainly recommend them as they play their songs so well but are not afraid to change things up and play entirely different versions from what is on the album. I’ve seen them four times now and every show has been entirely different. The band will breathe life into old songs by playing new and different version on each tour. Some songs are extended out into longer jams and you can see how Billy Corgan intended them to be before they were reduced in length for recording.
The Pumpkins are also an amazing band at changing the mood of the show and building it back up. At their loudest they rock as hard as any other band I’ve seen, but then in the same show can play mellow acoustic songs just as well. I think that the depth of their back catalogue helps them live as they have such a wealth of different songs to choose from. A great band live and one that can really pull of playing a large venue better than anyone I’ve seen.
Next band I recommend you go see if you haven’t already is Muse. They have won nine awards for best live act since 2001, and for good reason. I don’t think I’ve ever seen a band play with such energy and command a large audience so well. I’ve only seen them twice and the most recent time was a few years ago now, so I’m definitely going to catch them on their next tour. They’re kings of overblown rock at the moment and their songs lend themselves so well to the live environment. A definite must-see no mater what kind of rock you listen to.
Everyone that plays guitar needs to go and see Steve Vai play live. It was a tough choice to pick between the Steve Vai band and Dream Theater for my ‘musicianship’ slot but I think Dr Vai just edges it. Considerably more animated, interesting and lively to watch than Dream Theater, seeing Steve Vai live is like nothing else.
He always takes the most phenomenal musicians on the road with him and seeing his band play his music is quite amazing. The fact that Vai does it all with lasers on his fingers while playing a triple neck guitar makes it all the more mind boggling.
Vai is also of the few musicians I’ve seen that can pull off really heavy rock with crazy solos before bringing it down to the most subtle of ballads with a convincing degree of conviction. Don’t miss seeing Steve Vai as you will never see a show quite like it.
Quite often when you see a metal band play live they’re awful. It is a difficult genre to play well, the instruments must be played to perfection or you have a big mess of indistinguishable noise. Singers in heavy bands can sound really terrible live as well as they struggle to replicate what’s on the album and will often sound worse as the show goes on.
Not so for Gothenburg band In Flames. They play their material to perfection and Anders Frinden is the best metal vocalist I’ve seen live. Never missing a note, never dropping out he sounded like he could go on all day. Quite an achievement if you know In Flames’ material. Combine the excellent performance with pyrotechnics, fireworks, a huge lighting rig and an energetic band and you have a winning combination. An excellent band live and I can’t wait until I see them again later in the year.
I would recommend going to as many live shows as you can, even in genres of music you wouldn’t normally consider as you can end up seeing something really good that you may have missed otherwise. Certainly as a musician seeing a live band can give you so many ideas for your own playing and your own shows. I know I’ve stolen a lot of ideas from seeing bands live.
If you get the chance to see any of these bands live then I definitely recommend it, if you don’t see them then you’re really missing out on a great experience.
Change. It is a word that frightens many. The advent of change in our lives is often greeted with hostility and mistrust, as a species we are creatures of habit and our greatest fears often lie in the unknown.
Musicians must constantly grapple with change. The world of music is an interesting case with regards to change in that you’re damned if you do and damned if you don’t. Often a band will attempt to change their sound to remain fresh and exciting only to be shot down in flames. However if you stay the same you’re accused of being stale and past your best.
It is a difficult medium to maintain, and few artists manage it. It would appear to be getting harder as well as we see less career bands come through, and more one hit wonders and fad acts gain popularity very quickly before fading into obscurity.
One of the best examples I can think of where a band was affected drastically by changing their sound is the Smashing Pumpkins. The band released their debut album, Gish in 1991 on a wave of new grunge acts and early 90s alt-rock popularity. Although the album was well received, the Pumpkins didn’t really hit the big time until their second album, Siamese Dream.
Siamese Dream was in all respects a continuation of the sound that the band had established on Gish. Much more ambitious than many of their peers at the time, the album featured a lot of overdubs, studio tricks and guitar solos, all of which were unfashionable at the time. Despite this, the lead single, Today, was a hit on MTV and the band were acclaimed as one of rocks leading acts.
Their next album saw another shift in sound, this time they went into epic rock territory, employing even more instruments and much more expressive ideas. Mellon Collie and the Infinite Sadness was a huge double album that seemed to explore every side of Billy Corgans musical personality. Although a change in style the root of their sound was still there. The album was littered with hard rock classics that anyone that loved Siamese Dream instantly connected to. Songs such as Bullet With Butterfly Wings and Zero became mid 90s alt rock classics alongside the more introspective 1979 and Thirty-Three.
Here was an example of a band that had managed to change their sound, remain fresh and gain fans and momentum on the way. It was a brave move to release such a huge body of work at a time when nu-metal was just beginning to gain popularity but it shows the power that changing your style can have in winning new fans and yet staying interesting.
It is important for a musician to progress and change, otherwise you become bored with what you’re playing. I can’t even imagine what it must be like to tour an album for a couple of years and then go back and write a follow up that is almost exactly the same. I’m sure that the Pumpkins felt the same and that changing it up with each release was really the only way that they could keep the band going.
Their next release, Adore, was their boldest step yet. After the bombastic might of Mellon Collie, Adore was a quiet, introspective album that showed a darker, mellower side of the band. Written after several tragic events in the lives of the band, it would seem a natural place to go. However with the world expecting another typical Smashing Pumpkins album full of epic rock songs with heavy guitars Adore was released with songs driven by piano melodies and electronic beats.
In short, the album was not well received by the press or the public. Instead of taking the album as it was as a brilliant piece of music it was lambasted for not adhering to the formula that the public had made for the band. Adore sold substantially less copies than the previous albums and the band haven’t reached the same height of popularity since.
The release of Adore was an example of where artists needs to be brave if they feel that they have to change. Having poured everything into making Mellon Collie I’m sure that Billy Corgan felt that he had exhausted that genre entirely and needed a new musical challenge. Had the band released Mellon Collie part two it would have inevitably been worse than the original and the band would have been picked apart in any case.
The key point for needing to progress is that if you really put your heart and soul into making the best possible album you can in a particular style, how can you be expected to repeat that without making something inferior? The answer is that you can’t. I think this is why we see a lot of flash-in-the-pan bands today who seem to be massive for six months and then disappear entirely. They make a fantastic debut, try to replicate it and fail.
So if you’re a musician my advice would be to never shy away from learning a new style, or taking a new influence, as you never know where your song writing may end up. Always try new things and push your boundaries and you’ll end up as a much better musician because of it. I’m glad that the Smashing Pumpkins took that brave step releasing Adore as I personally think it is a brilliant and highly underrated album. Ironically the style would come into fashion several years later with Radiohead producing a similar album with Kid A.
It is only by changing what is commonly expected as the norm that new styles of music will be discovered. True music fans aren’t interested in listening to the same regurgitated music over and over. At your next band practise, instead of thinking how you can sound like your idols, stop for a moment and think about how you can sound like you instead. Your music will be better off for it.
